A YEAR WITH MI6

  • A YEAR WITH MI6, THE BRITISH SECRET INTELLIGENCE SERVICE

    Mount Street Galleries, Mount Street, Mayfair, London. 15th February - 26th February 2011. Curated by John Mitchell Fine Paintings and Delahunty
  • A year with MI6 2009 was the centenary year of MI6, The British Secret Intelligence Service (SIS). To mark the...

    A year with MI6

     

    2009 was the centenary year of MI6, The British Secret Intelligence Service (SIS). To mark the occasion they invited the artist James Hart Dyke behind their closed doors and into the secret world of espionage. The resulting series of paintings and drawings formed the subject of a commercial exhibition ‘A year with MI6’, at Mount Street Galleries, London. The pictures represented an outsider’s unique interpretation of an existence that, for those who work in SIS, can often be dangerous and surreal.

     

    It is highly unusual for anyone to be publicly associated with MI6, and in this respect an art exhibition about SIS was simply unprecedented. James had to work under strict conditions of secrecy, and was extensively vetted before being selected for the project.

     

    The exhibition attracted international media coverage on radio, TV and in the broadsheets. This included items on the national BBC and ITV news, a documentary by CNN and an interview on Front Row, BBC Radio Four’s arts program (listen to program).

     

    ‘James Bond has finally been replaced by an image that is unglamorous as it is credible-an anonymous person, alone staring through the curtains of a hotel room, waiting and watching.’Ben Macintyre. The Times Newspaper 15.2.11

     

    ‘They (the paintings) are very good…the images have a blurred, washed-out, down beat quality reminiscent of Gehard Richter and Luc Tuymans.’ Rupert Christiansen. The Telegraph, Arts Review.

     

    Metropolitan Museum of Fine Art. 

    Waiting in the hotel room’ was illustrated by the Metropolitan Museum of Fine Art, New York, in a lecture supporting their exhibition ‘A room with a view-The Open window in the 19th Century’ 2010. The curator, Sabine Rewald, discussed how the motif of the window has historically been used in art and continues to be a vibrant subject matter for artists today.

     

     

    THREE PRINTS AVAILABLE

    View the prints